Thursday, June 3, 2010

Softly Now @ the Rendezvous


Wednesday night, the Rendezvous Jewelbox Theatre, I’ll skip the  history this time as I covered it in an earlier post - reposted here.  Playing in order of appearance - BC Campbell, with yours truly on guitar, Sam Watts as “Ghosts I’ve Met”, and Alex Guy as “Led to Sea”.

This show was curated by Levi Fuller; as part of his “Softly Now” series, which you can go and see the first Wednesday of every month.  The show was early, which is great for a week-night event, we were on by 7:30 and the whole shebang was over by 10pm.  Perfect!  Get a little dinner, catch a show, still have time to chill before sleep and back to the grind on Thursday.  PS It was great to see Renata Almeida at the show – hooray!

Our set went well, BC is singing great, and the new songs are coming together nicely.  The sound was great- clear and loud without being too loud – sound guys love an “acoustic” night because its easier to make things sound good when the stage volume is lower – especially in smaller rooms.  We really hit it on “I Believe” and “Tell Me” –  there are recordings of both from the basement on BC’s myspace page linked below.

I had never heard Ghosts I’ve Met before, and I was pleasantly surprised – Sam has a quiet approachable voice and big sounding chords, with some really great lines in the lyrics.  It was nice to get a chance to listen to his Taylor after BC’s Martin – live comparison!  Still no clear decision, the Martin has more good mids, the Taylor is brighter by far, always will be a taste thing I think.  If I was moneybags guy I guess I’d have a Martin for plectrum stuff and the Taylor for fingerpicking.  Favorite song, “Payphone Patience.”

Led to Sea (a Stranger genius nominee for those in Seattle) is viola player and singer Alex Guy, with an assortment of effects pedals and loopers.  She sings in the post Tori Amos school, and I clearly hear the connection to Mirah, and Laura Veirs.  Her solo show is impressive, she will win some fans on tour this summer.  The music is arranged beautifully, and she plays “out” enough to keep the listener on alert.  Fans of Andrew Bird, 2 Foot Yard or maybe even Maya Beiser will find a new record to love with “Into The Darkening Sky”.  Locals in the scene – Paul Kikuchi on percussion is a stunning player, and Lori Goldston (the Kevin Bacon of Seattle musicians I swear she knows everyone) played some cello, and Jherek Bishoff on bass is a player too. 

Here’s your links:


Repost - Rendezvous with Shasta Bree


Playing with Shasta at the Rendezvous.

http://www.rendezvousseattle.com/index.html

Ok – so for those of you that do not live in the (sunny today!) berg that is Seattle, the Rendezvous is one of those bars that has mythical status.  Everyone knows about it, has an opinion, and quite likely has gotten way too drunk there once.  It was one of the first places I ended up in back in the 90’s (that’s more than a decade ago people) and I remember it as a dark scary place with a real tough bouncer, cracked out people getting in physical altercations in the front room, incredibly strong drinks, and people who didn’t work for the Rendezvous but did work at the Rendezvous selling things that I wasn’t sure I didn’t want.  Tony who played this gig with us (more on him later) reminded me that you used to be able to cash your welfare check at the bar. 

Years later, new ownership, and about half the things I remember are changed.  Its not as dark, no crackheads, no deals that I saw going on.  The drinks are still strong, but since you can’t smoke inside, its not as hard to catch your breath after the first swig.  This gig I was giving my liver a rest, so I vicariously enjoyed the occasional gasp for air, and the way everyone’s eyes kind of slid off me like it was too hard to concentrate.

Every gig at the Rendezvous has to be weird.  I knew from experience not to get there too soon – the first time I played there I ended up standing outside in the cold rain, because the burlesque dancers wanted to finish packing up the feathers and rearranging the goodies into street wear without putting up with the gawking of some skinny guitar player.  This night it was the Job Stress Comedy Show, which I hope was funny, but I am just going to imagine that it involved employees of the Rendezvous slandering the owners of the Rendezvous whilst doing shots of Goldschläger.  Whatever it was, there were girls with feathers and glitter standing about as I pulled up to the no parking zone, hit the emergency blinkers and started loading.  Bouncer was still tough, but friendly.  Left Anne with the stuff and found rockstar parking.  As in I parked next to a chain link fence a block away, where various rock stars watched my car for me.

Inside – met Malachi – the sound guy named after the last minor prophet (I know this is debatable so you religion majors can take it to your own forum).  He does what he can with a strange room and not much gear.  Oh – did I mention it’s the Jewelbox Theater?  Nagahide booths man.  And some better than folding chairs.  The stage sounds strange, but it actually sounds decent in the house if you are willing to be quieter.  Which is hard to be willing to do when there is a DJ throwing down in the Grotto – ie same bar, private party room.  “I wanna rock right now, I’m rob bass and I came to get down” except really fast, and with a techno beat.  Thump thump thump, and now Acoustic Night at the Rendezvous!

1st up – 15 year old Cole Parrish, who impressed me with her togetherness and comfort on stage, and a tough girl handshake when she introduced herself.  Her songs and voice are already well on the way to being great, and I can see her doing really well.  You might as well go to her myspace now and listen to a cover of “Say My Named.”  Stay and hear some of her own stuff if you dig her voice, she’s got things to say.


2nd act – Sadie and the Crooked Road – a new band for me, always fun to meet some new folks doing the folks music.  They are on a multi date go round with Star, so you can catch them if you missed this one.


3rd up – Shasta and yours truly – we played a shortened set as the 5 band bill was not going to fit in the allotted time.  Tony and Star did the same at the end, to get us done by 1am (thanks Malachi for the extension)  Lucien and I got our thing going quick, I love playing with people that listen to each other, and he is really making the new GFI pedal steel sing sweetly now.  I love this instrument.  Resisting getting one.  For now.  Also we wore suit jackets.  Shasta and Val harmonized well despite wanting a lot more monitor J
and a blue dress was debuted.  With pockets!  Pics here

Music here


4th - Then Tony Fulgham showed us all up, just by being the guy who belongs on a stage, so easy up there.  Every now and then I hear Elvis Costello when he is singing (hope you don’t mind Tony) and everyone in the place wants to get a beer with him.  He also took the energy up, which almost defeated the DJ, who was ramping up too.


Finally the fans who waited so patiently, got themselves a tight half hour from the amazing Star Anna (just Star and Justin on acoustics this show) which was almost enough time for her voice to reach full power.  It was nice to hear people really digging the show, real fans.  Go see them on the 4/30/2010 at the Tractor in Ballard, and swing by Conor Byrne and catch me doing some Willie Nelson with the  Pennylifters beforehand.


Wednesday, June 2, 2010

Duke grad on the top 40 charts


Alright, this one is for my Cameron Crazies out there, and the Boggers in particular.  Please, tell me what is up with Mike Posner.  (Is he related to Adam?)  Apparently he just graduated with a 3.59 (B.A. in what?)  My first suspicion was that he was some kind of e-bag, then I figured with all the weed he was a Beta.  Nope – Sigma Nu.

Listening to/ watching the tracks on YouTube (here) I can not readily identify any reason to think this dude is “cooler than me,” or the p-froshwomen (yes “froshwomen”) in designer shades. But then again I graduated “O laude” as my mom likes to call it, and that was 14 or so years ago now, I guess I have to admit I no longer have my “finger” on the pulse of the college scene.  Still, there are football cheers with more poetry than this – remember “thrust the ball into the air, receive it with reckless abandon” and “we make holes in teeth.”  Of course there was “Put Newell on the nose, or were taking of our clothes” so I get that errrrr simple and direct has a certain hooky thing, hold on let me listen again.

By the way, what does “Ice Road Truckers” have to do with “Drug Dealer Girl” ?  OK, so his voice is more high school than college, though its kind of fun to see the quad back there – and I think its time to take up yoga, not sure why.

Getting his songs on itunesU was a pretty good move though.  Seems a little less egregious than selling the university comp tix like the guys at Kansas.  I can’t help it though, all I can hear is a bunch of guys in the back of every beat yelling “Moses!” in time to the music.

Go Devils. GTHCGTH!